The Toronovsky Collection
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If you are a seller for this product, would you like to suggest updates through seller support? Craig Bowen has returned from the Iraq War. When one of the men who was under his command is murdered under mysterious circumstances, Bowen decides to find out what really happened. Bowen finds himself involved with strange assassins, corrupt art dealers, and an alluring beauty called Mirella, all of them searching for the lost treasure that is The Toronovsky Collection.
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If it could have screamed it in all caps, I am sure it would have. I walked into the Grisly Hand. I noticed I was holding my breath.
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This was in part because of fear but also because of the strange smell that greeted me: stale beer, mixed with something wafting from what turned out to be just an old deep fryer. A bartender cleaned a glass behind the counter. Neon signs advertising beers and whisky dangled behind him at strange angles. The chairs at the bar were focused on a small, semi-circular stage at the back. Dim bulbs fell from the ceiling, only stopped by dusty, brown wires.
Every chair was taken by someone who looked very expensive. Everyone had their two beers on their tables.
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I walked to the bar and asked for a beer. The bartender handed me two full glasses: I had to fulfill my minimum. He said nothing as he took my money and did not give me back change. I carried my drinks to the nearest table, away from the stage. A thin woman dressed in a liquid sparklywhite dress turned to look at me and smiled.
I smiled and raised one of my glasses half-way. She nodded and turned back to look at the stage. A gong rang. It was pm. A small man wearing a crumpled tuxedo stepped forward through the curtain. The paper stars glued to the curtain trembled in his path. Mordar was bald, had a wideblack moustache, and when he smiled he let us see the gold teeth that decorated the back of his mouth.
I caught a whiff of whisky coming out of his mouth and nose, together with a stale, almost-had-a-cold scent. He started on his act right away. It was easy to see why he performed at such a venue. He kept dropping the small red balls he tried to squeeze into his hands. In the works of Homer, Virgil, Plinius and other ancient authors we find the evidence of such signs usage.
Legendary heroes and real historical persons, tsars and commanders, had personal emblems very often. Shields were also decorated by different emblems, for example, by the picture of Medusa Gorgon cut off head. Only some emblems of ancient islands and cities were used constantly on coins, medals and seals.
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The emblem of Athens was an owl, of Corinth — Pegas, of Samos — peacock, of the island Rhodes — rose. And in these fact we can find the dawn of the state heraldry.
Bright and vivid art of heraldry was developing in times of culture and economy decline in Europe after the Roman Empire destruction and with the statement of Christian religion when feudalism and hereditary aristocracy system appeared. The first coat of arms were placed on the seals to the documents and appeared in the 11 th century.
We should pay attention that in times of universal illiteracy the usage of coat of arms for signing and designation the property was the only way for many people to assure the document by the name.
Undoubted evidence of the heraldry existence appeared only after crusades. Congestion of feudal lords from different countries in one place, the necessity to know each other under the illiteracy and language barriers, to state their own name was the reason of the heraldry appearance and formation.
The first English king who had a personal emblem was Richard the Lion Heart His three golden leopards were used since that time by all royal dynasties of England. Coat of arm is obliged not only to crusades but to knightly tournaments as well. We can say that the main permit to the tournament was the coat of arms that proved the high descent of the owner and his state in the family hierarchy. For the experts or heralds a coat of arms had all necessary information. Poland had its own different from other countries of Western Europe principle of coat of arms adoption that was based on the socio-political model of nobility.
In other countries the coat of arms was assigned to one family and was handed down to the eldest branches of the family; younger branches had different lower variants.